Branded narrative
Now You Know
A card-game short about a young man who is with his closest friends and still feels alone.
- Saber role
- Script, actor direction, and multi-location production
- Production
- Three-month production with a full producer team
SaberVisualz Production · Filmmaker-led
Filmmakers who know what happens after the final cut.
We make narrative shorts, campaign films, product work, and original comedy. Every project is shaped by people who have made films and grown an audience of their own.
Why Saber
The film came before the agency.
Saber started with scripts, actors, long shoot days, and edits that ran later than planned. We made short films because we wanted to make films. That is still the foundation of the work.
Growing SaberVisualz's Instagram taught us how a piece gets packaged, released, read, and improved. The camera is one part of the job; story and distribution sit at the same table.
Selected work
A few things we have made.
A card-game short, a one-day comedy shoot, and a milkshake ad staged like a mob scene. The credits and production details stay beside each piece.
The pause before the joke matters.
Two moments from Absurdus Hour, both shot in the same diner. The framing and timing make them feel like different rooms.
A quiet reaction before the turn
A held eyeline and an unhurried close-up let the room go quiet before the turn.
Comedy carried in the exchange
The money changes hands. The look lands a beat later. That timing carries the joke.
The work between takes.
Framing and performance keep changing after the slate. These are two places where the better version took shape.
Location work
We pushed the subject small in the frame and let the empty shoreline do some of the talking.
Talent direction
Blocking and performance keep changing between takes. The camera team stays close enough to catch the better version.
More work, with the credits attached.
A team film credit and two campaign pieces, with links to the published work.
Team film credit · Short thriller
Youth Lies
A 21-minute short about a college student whose account of the night before fractures under questioning.
Directed and written by Dylan Larkin; cinematography and co-edit by Sean MarashiProduct campaign
Casey Lee x Akhielo
A metal-plated hat forged at a working blacksmith shop, shot like an Iron Man origin sequence. We took it from storyboard through VFX.
Storyboard, script, shoot, edit, and VFXApplication film
Casey Lee: Streamer U
A New York day-in-the-life film for Casey Lee's Streamer U application, delivered as a full cut and a separate teaser.
Concept, production, final film, and teaserFrom first idea to final cut
- 01. Direction. Figure out what the piece needs to do. We get clear on the audience, the story, the references worth keeping, and the feeling that should survive the edit.
- 02. Script. Give the idea a spine. We write the lines and beats, then plan the shots and transitions the edit will actually need.
- 03. Production. Protect the story on set. We direct the performance and camera without losing the reason the piece exists.
- 04. Finish. Make the final cut earn its length. The edit, sound, grade, revisions, and delivery all answer to the original idea.
- 01
Direction
Figure out what the piece needs to do.
We get clear on the audience, the story, the references worth keeping, and the feeling that should survive the edit.
- 02
Script
Give the idea a spine.
We write the lines and beats, then plan the shots and transitions the edit will actually need.
- 03
Production
Protect the story on set.
We direct the performance and camera without losing the reason the piece exists.
- 04
Finish
Make the final cut earn its length.
The edit, sound, grade, revisions, and delivery all answer to the original idea.
Some of the people and brands in the work.
The names here come from the projects above: collaborators, on-camera talent, and brands we have made the work with.
- Akhielo
- Casey Lee
- Kappa
- Bubba's
- Boxx
- Now You Know
- Sideline
- Youth Lies
A few practical questions.
You can come to us with a finished brief or a rough idea. These are the things people usually want to know before we talk.
Yes. Production handles standalone commissions with a defined scope. Management covers ongoing creator or brand content.
Tell us what you want to make.
Send the idea, deadline, references, and any hard constraints. We will come back with the questions that matter and a clear production scope.
Email the production team